Two Sirs, with love

It was beneath a warm Tuscan sky in July that we took our seats for the second gig of the 19th Lucca Summer Festival. It was surreal in so many ways.

Our seats were in the front row, the outdoor venue (Piazza Napoleone, in the heart of the historic walled city) was magnificent, we were on our first-ever trip to Italy and we were about to see two legends on stage: Sir Van Morrison and Sir Tom Jones. I was lost for words.


The couple sitting next to us arrived shortly after we did. She was beside herself, and I couldn’t help but engage with her. While we were there for Van Morrison, she – and her reluctant partner – were there to see Tom Jones.

“I don’t know what it is – whenever I see him, I just go funny all over. He doesn’t have to sing or anything – just looking at him, I just go all funny. I’ve never known anything like it. He doesn’t like it,” she said, pointing to her disengaged, eye-rolling partner.

On the dot of 8.30pm, Van Morrison and his band opened the show with the beautiful and lyrical Moondance. With characteristic lack of engagement with the audience, Van moved on to The Way Young Lovers Do and Magic Time, with its superb trumpet solo.


He followed with By His Grace, Someone Like You (the romance in both the melody and lyrics floor me, as did the performance of Van’s stunning backing vocalist, Dana Masters), Whenever God Shines His light, a fabulous remix of Have I told you lately, and Wild Night.

I’ve learnt that when Van picks up his harmonica, he starts to play it upside-down. He did so and remedied it quickly in the intro to the stunning Enlightenment, and again enthralled with his saxophone in Little Village.

It was at this point that my neighbour demonstrated what ‘going all funny’ meant. She jumped six inches off her seat, her legs went flying and kicking, and she screamed spontaneously. She was the first of thousands to scream in adoration as Sir Tom Jones strode across the stage in front of us to join his good friend, Van, for What Am I Living For?

It was Sir Tom who introduced their second number – “This is one we actually recorded together,” – Sometimes We Cry.


Sir Tom left the stage and Van picked up the pace with a medley of Baby Please Don’t Go / Don’t Start Crying Now and, as the light began to fade, Here Comes the Night. He followed with the lilting and romantic In the Afternoon / Ancient Highway / Raincheck, before strapping on his guitar for The Beauty of the Days Gone By, Why Must I Always Explain, and Think Twice Before You Go.

Van took his cordless mic, and I knew the end of his set was in sight. Not before the popular Brown Eyed Girl and Help Me. A quick “Thank you!” and he walked off the stage.

He responded to the audience’s applause and imploring screams to come back, and we leapt to our feet to his rousing, signature encore: Gloria. Van briefly thanked his band and, at 10pm, left the stage.

I often listen to Van – and on such wonderful occasions as this, watch him – and wonder where the music comes from. Where does he find it? That depth of passion and emotion? His words reflect deep, deep feelings and he writes extraordinary, awe-inspiring music to express it.

I don’t go ‘all funny’ when I see Van. But when I listen to his music, he reaches me in places I didn’t know could be reached. His gift is astonishing, his music sublime. He speaks a lot about ‘transcendence’; I think I’m getting to understand just what he means.

It was 10.30pm, the beautiful Lucca night was gently cooling and Sir Tom walked on to the stage with his fabulous band. After a moving Burning Hell, he greeted the audience in Tom style.

“Everybody feeling all right? Are we gonna have a good time?”

He talked about his years in Las Vegas in the ’60s, and introduced his next song:  Run On.

“I used to spend time with Elvis Presley. After the shows, we’d sing all night – well, he did and I’d listen. He loved gospel music, bless him. I learnt a lot from him.”

His huge band backed him with enthusiasm, a huge amount of fun and jolly fine music. We couldn’t take our eyes off the horn section – the saxophone, trumpet and trombone/tuba players. The three excellent musicians who sang, danced and interpreted the lyrics in such a spirit of fun were a delight to watch!


Sir Tom followed with the popular Hit Or Miss, Mama Told Me Not to Come, Didn’t It Rain, and the wildly ‘funny-inducing’ Sex Bomb.

“Grazie!” he yelled to the audience. We responded loudly with screams and whistles.

After a brief nod to the recent wins of his much-adored Welsh football team, he talked about his late wife.

“When I used to make a new album, I’d bring it home and play it for my wife, Linda. She always had a favourite song. This was hers on my new album, The Long Lost Suitcase.

After a beautiful and emotional Tomorrow Night, he said, “Ok. Well, here’s a happy song!”

A delightful and high-energy Raise a Ruckus drew huge applause and a huge “Yeah!” from the 76-year-old legend.

Take My Love (I Want to Give it All to You), led into the new Latin-esque Delilah. This got his band dancing and the entire audience singing.

“I love Lucca! It’s humid, and that’s good for the voice. That’s why Italy has so many good singers. And why Wales does too!”


The Soul of the Man followed, then Elvis Presley Blues – a haunting tribute to Elvis, written by Gillian Welch. The Tower of Song, and Green Green Grass of Home and a samba version of It’s Not Unusual were followed by a raunchy You Can Leave Your Hat On.

Between each number, Sir Tom yelled, “Yeah?” We responded, “Yeah!”, so he yelled, “Oh yeah! Come on!”

After If I Only Knew, Sonny Boy Williamson’s Early In the Morning offered each of Sir Tom’s band members a chance in the spotlight. As  I Wish You Would ended, Tom left the stage and the audience screaming, whistling and shouting for more.

It was past midnight, and Sir Tom and his band came back on stage for Thunderball, with a collage of Bond movie-clips on screen behind them. The beautiful Kiss, a gracious tribute “to the genius that is Prince”, was followed by a song that Tom described as “rock ‘n roll, blues, gospel, with some boogie woogie on the side”. An extraordinarily arranged Strange Things Happening Every Day showcased his band’s energy and depth of talent, and ended the evening on a high.

Sir Tom Jones, to the adoring screams of thousands of devoted – and a whole lot of new – fans, assembled his band members. He introduced each fondly, and then thanked the audience.

“It’s because of you, that we do what we do. Thank you, and God bless you!”

The Two Sirs, the two legends, have 146 years between them. The two friends, with two hugely differing styles, gave us four hours of musical magic. It really was one hell of a gig.




He’s the soul man

We nearly didn’t see Gregory Porter. I’d booked our tickets in July last year and, as the April date grew imminent, I realised I’d noted the date incorrectly. I’m so glad we didn’t miss out. It was a privilege and a joy to experience an evening of beautiful jazz delivered by the soul man.

Gregory PorterNashville-based singer/songwriter, Kandace Springs, opened the concert. Showcasing songs from her new album, Soul Eyes, she also shared a beautiful cover of Roberta Flack’s The first time ever I saw your face.

Porter’s band took the stage to an enthusiastic welcome. Pianist, double bass player, saxophonist, trumpeter, Hammond organist and drummer welcomed the nattily dressed, hat-wearing gentle giant to the stage with beautiful music.

Gregory Porter opened with Holding On from his upcoming new album, Take Me To The Alley. When the audience responded with appreciative applause and whistles, he introduced his band. Throughout the evening, he shared the stage generously with his band. He stepped out of the spotlight at every instrumental solo, and never failed to show appreciation for his band. And so he should – they were a superb match for his liquid velvet voice.

On My Way to Harlem was his second number. Porter clicks his fingers through every song, feeling every beat, every nuance, every note. After some gentle scatting, he brought the number to a close, before moving on to the beautiful Illusion.

“There’s a lot of trouble in the land,” he reflected, before introducing his next number.

“At the end, feel free to join in with me. But not until the end. I love you, but I don’t want to hear you,” he said.

The son of a preacher mother took us to church and brought us back into the room with No Love Dying. We joined in at his command – at the end – and he seemed pleased with our performance.

“There’s a good vibe in here tonight.”

He encouraged us to clap to the rhythm of our hearts in Liquid Spirit. Porter moved across the stage, taking his mic stand with him. The song featured an insane piano solo, and an equally insane drum solo.

The lyrically and melodically exquisite Hey Laura followed, before another clearly personal track from his new album, Don’t Lose Your Steam.

Boy, you hear me calling your name
The bridge is your time
Your engine rolls hot
If the bridges fall down, don’t lose your head of steam.  

“I wrote that for my three-year-old son to help him eat his cereal. Just carry on doing what you’re doing, and you’ll be all right. But especially for my three-year-old.”

As Porter sat down next to the piano, the rest of his band left the stage.

“This next one is called … whatever I feel like,” he said.

He chose the very poignant and beautiful Don’t Be a Fool, which he and his pianist presented with intimacy and tenderness.

His band returned to the stage, and his very smiley double-bass player opened the next number: a rousing and soulful cover of Motown’s 70s hit – Papa Was A Rollin’ Stone.

Musical Genocide, again with an extraordinary piano solo, and The Consequence of Love followed. Porter, tall and with a towering presence, never hogs the limelight. He appears to revel in the talent of every band member; he feels and appreciates every note.

After another cover – Nat Adderley’s 1960 Work Song, made famous by Nina Simone – followed the moving story of Be Good. This brought with it an outstanding and beautiful sax solo – delicate, sultry, sublime.

An astonishing trumpet solo in 1960 What? – the song inspired by Porter’s own stories of life in Detroit, as well as Martin Luther King’s assassination – brought the concert to a close and the audience, screaming and whooping to its feet. Porter again acknowledged his band, said “God bless you,” to the audience, and walked off the stage.

He came back with the energetic Be Free. He sang his gratitude to the audience and hoped we’d felt the love. He bowed, waved to us and walked off the stage, leaving his band playing. Starting with the pianist, each band member took it in turn to play solo before walking off the stage. The double-bass player – now on an electric bass guitar – and the drummer challenged each other to a musical duel, before the guitarist left the stage with guitar flung over his shoulder.

The drummer held the stage for a further five minutes. He teased us by pretending several times to stop playing, and then continuing his awesomeness. When he eventually stopped, put down his sticks and sauntered off the stage, the audience went crazy.

Give me a blues song, tell the world what’s wrong
And the gospel singer, giving those messages of love
Woah, and the soul man, with your heart in the palm of his hand
Singing his stories of love and pain, woah.

Thank you, Mr Soul Man, for holding us all in the palm of your hand for the evening. What an outstanding band, an awesome concert. Woah!

Sunshine in London signing off for now.







A pocketful of Rye

One of the many wonderful things about living in the UK is that if you’re not already living in a beautiful little town or village, you’re always just a short drive away from one. Mr Sunshine and I have just returned from a short break in an exceptionally beautiful part of England, and it was less than two hours’ drive away.


Rye is an enchanting, medieval town in the historic county of Sussex. You have only to walk along its cobbled streets and through its narrow alleyways, marvel at its Tudor buildings, and soak in its charm and character to know you’re walking through a town rich in history.

At its heart is the Mermaid Inn, on the beautiful, cobbled, Mermaid Street. Once the haunt of notorious smugglers, the Inn is laden with stories and creaking floorboards. With cellars dating from 1156, the building was rebuilt in 1420. It maintains much of its original character, including crooked walls, higgledy-piggledy staircases and sloping ceilings.

The Mermaid Inn, on Mermaid Street

We stopped for a drink in the hotel’s Giant’s Fireplace Bar, which we heard boasts the second largest open fireplace in the UK. The barman also shared with us some history of the hotel, which was frequented in the 1700s by local smugglers – most notably the Hawkhurst Gang. He also stage-whispered the whereabouts of the now-not-so-secret passageway into the bar.

The second oldest open fireplace in the UK

A walk along Rye’s central street introduced us to a range of vintage shops, antique shops, restaurants, coffee shops, and nothing that looked typical of a UK high street. We found Thomas Peacocke’s Rye Grammar School, built in 1636, which is now home to a large store selling second-hand CDs, vinyl and DVDs.

We stepped into Edith’s House, lured by its offering of teas and scones, and it felt like we were sitting in a family home from the 1970s . The walls are papered in textured florals, the crockery and furniture are all a mish-mash of styles and colours, there are doilies on the dining and side tables, an ancient television set, and teapots and old telephones dotted around. Everything about it feels comfortable and welcoming, and the food is outstanding.

Inside Edith’s House

We walked past the Wobbly Wardrobe, the Hatters House, Simon the Pieman (the oldest tearoom in Rye), and saw that we could buy fossils, crystals and gifts from A Pocket Full of Rye.

The Parish Church of Rye, dedicated to St Mary the Virgin and sometimes known as the ‘Cathedral of East Sussex’, is the oldest building in Rye and dates back more than 900 years. It is told that in 1377, when the town was looted and set on fire by French invaders, the church bells were carried off to France. The next year, men from Rye and the neighbouring seaside town of Winchelsea, sailed to Normandy, set fire to two towns and recovered much of what was stolen, including the church bells.

The churchyard of the Parish of St Mary’s Church

We heard those bells at close quarters , when we visited the church at noon and climbed the 85 stairs to the top of the bell tower. The stairways, ladders and passageways are very narrow and low, with several cautions to ‘Mind your head’. I enunciated one such warning in English, and my very best French and German to Mr Sunshine, and then stepped up and bumped my own head.

From the top of the tower, the views across Rye and surrounding countryside were stunning. You can see from there the second oldest building in Rye – the Rye Castle, also known as Ypres Tower, which was built in 1249.

As you walk around the bell tower, you can see the three rivers that frame Rye, and in the distance, the sea and a glimpse of Winchelsea.

The view from the bell tower at the Parish of St Mary’s Church
Rye Castle – or Ypres Tower – up close and personal

When we visited Winchelsea beach in the early evening, the tide was low. The pebble beach opened out on to acres of sandy shore and it felt like the sea was miles away. (At high tide, as we saw the next day, the beach was a tenth of its low-tide length, and only pebble.)

Winchelsea beach at low tide

As the light faded and the shadows lengthened, we watched lambs gambol and sheep graze in the green fields across the road, as the sun set beyond them.

Rye sheep at sunset

We found great, character-filled pubs and restaurants in Rye where we enjoyed excellent fare. We explored some of the countryside around Rye, and discovered places of outstanding beauty and views that went on forever. We stumbled upon a most delightful little place in Pett, called the Tic Tockery: a bespoke hair salon, tearoom and giftshop (yes really). Overlooking rolling hills, the tearoom was filled with homemade cakes and treats and colour and character – unfortunately, we couldn’t stay as they didn’t take card payments and we had no cash on us.

And on our drive home, we found the Five Bells Inn in Brabourne in Kent. This divine little country inn not only served excellent food, using only locally sourced, sustainable, traceable and fairly traded ingredients, but it looked like this:

The Five Bells in Brabourne

With good food, a peaceful town full of history, beauty and charm, plenty of sleep and some blue sky and spring sunshine, and surprises all along the way, I’m not sure our short break could have been any better. If you get the chance to visit Rye, go.

Sunshine signing off for today!


Diamonds and dust

I posted this piece in the wake of the Queen’s Diamond Jubilee celebrations in London in 2012. I thought, as today is Human Rights Day in South Africa, I would re-post:

Yesterday’s Diamond Jubilee river pageant was an extravagant spectacle to commemorate Queen Elizabeth II’s 60 years on the British throne. In March 1995, on this day (Human Rights Day) in South Africa, the Queen commemorated something similarly historic, with slightly less pomp and ceremony, in a dusty township in South Africa. The occasion was no less grand.

In May 1994, Nelson Rolihlahla Mandela was sworn in as President of the newly-democratic South Africa. I remember voting in those historic elections and feeling an overwhelming sense of being part of something special. In March 1995, the Queen and Prince Philip paid their first official visit to the newly-free country.

Photo courtesy of
Queen Elizabeth II with South African President Nelson Mandela on an official visit to the newly-democratic country in March 1995

At that time, I worked for a non-government organisation that received funding from the British government. Ours was selected as one of two beneficiary organisations in Cape Town that would receive a royal visit.

Planning began in earnest about four months ahead of the visit. The Queen’s time was limited, so we two beneficiaries set up a ‘visit site’ at the other organisation’s premises in Khayelitsha. Their premises proved bigger and more adaptable for the visit than our premises, which were mostly in church halls and community centres.

Khayelitsha is an area of the Cape Flats in Cape Town, South Africa. The Xhosa name means ‘new home’ and it is reputed to be the biggest and fastest growing township in the country. Our organisation worked in that and other communities, to train unemployed people to start their own small businesses.

Being the project manager for the visit, I met three or four times with the royal team of Private Secretary to the Queen, press and police secretaries, as they made regular scoping trips to the country. We faxed letters to each other regularly. Information was paramount, planning was detailed, timing was precise. We learnt fun facts such as:

  • when the Queen drives through residential streets lined with people, she drives at 4mph
  • she always gets out of her car on the right-hand side
  • verified information is required about each person the Queen is due to meet
  • equally, the people who will meet the Queen get the information required for meeting her.

The day dawned: Tuesday 21 March 1995. Human Rights Day in South Africa. We all travelled together to the Khayelitsha venue to get ready for the visit. Everyone was dressed to the nines, ready with their own story to tell the Queen. We were excited; animated. The royal entourage arrived on the dot of their expected time and began to make their way through the itinerary we so painstakingly put together.

I remember seeing the Queen up close and personal and thinking she looked radiant. She had soft, smooth skin and shining blue eyes. She took an interest in each person she met, asked beautifully well-briefed questions and graciously listened to each person’s story. Prince Philip broke away from the entourage and typically adopted a more spontaneous approach. We got wonderful images of him, head back and laughing loudly as he chatted to my colleagues. The Queen, gentle and genial, proved photogenic as always.

I don’t think even the most strident of cynics would have criticised that visit to dusty Khayelitsha in 1995. I’m not an ardent royalist myself, but I was glad to be part of a visit that was truly special, relatively and appropriately ordinary and supremely intimate. And most importantly, it took place away from the glare of the media.

For us, months of planning bottlenecked into a 10-minute visit that will stay with each one of us always. The weather was never going to disappoint. It was windy that day, and the sun shone as it always does. Not only was it a royal seal of approval for the micro-enterprise development work that our organisation did, but, more broadly, it was one way of welcoming South Africa back into the international community.  No number of boats could have done that quite as perfectly.

Sunshine signing off for today!

Hello, gorgeous

Sheridan Smith is a funny, Funny Girl. We were privileged to see her last weekend in the new stage production of that name (Funny Girl, not Sheridan Smith), which finishes its run at the Menier Chocolate Factory in London Bridge this weekend. Easily one of the best and most fun shows we’ve seen.

From the moment Fanny Brice whispered, “Hello, gorgeous,” to her reflection in her dressing-room mirror, we were enthralled, entranced, entertained, moved, captivated, delighted.

Sheridan Smith, a beautiful and skilful comic actress, brings so much charm and wit to the role of Fanny, the ugly-duckling-turned-Ziegfeld-Follies-star. We laughed and cried with her as she sang and one-lined her way to stardom and into heartbreak in the arms of Darius Campbell’s smooth, debonair Nicky Arnstein.

The staging was inventive. The musical direction and all those familiar numbers sublime. Sheridan balanced comic timing with emotion, taking us from awkward squirming out of Nicky Arnstein’s advances in You Are Woman, I am Man to the passionate delivery of People and her poignant, rousing Don’t Rain on My Parade.  She carried the adoring audience – and her enthusiastic cast of singers and dancers – along on her every note.

The ambience and  intimacy of the 150-seater theatre make it an experience unlike any other. Built as a five-storey factory and warehouse for the French Menier Chocolate Company when they expanded overseas between 1865 and 1874, the building opened in 2004 in its current incarnation. According to the website:

“Throughout its history, the Menier Chocolate Factory building has been inspired by both individuality and the pursuit of quality. […] the Chocolate Factory is a stimulating environment to enjoy a high-quality and entertaining theatrical experience.”

“There’s nowhere quite like the Chocolate Factory anywhere … The bubbliest kid on the block, and one of London’s great theatre hopes.”
The Daily Telegraph

It is an extraordinary, beautiful space. It was a privilege to sit in the second row and feel involved in every song and dance routine before us. We’d seen Kyle Riabko’s astounding and beautifully crafted  What’s it all about: Bacharach re-imagined there in July last year, before it too moved to a bigger West End theatre.

A friend once ran out of superlatives as she described a new book. She eventually just said, “Don’t ever not read this book.” I feel the same way about Funny Girl, and Sheridan Smith.

Our red box is richer for these tickets, as are we for the joy of watching Funny Girl. It’s moving to the Savoy Theatre in the West End in April and, who knows, maybe Broadway next. Don’t ever not see this show. Or Sheridan Smith.

Sunshine in London signing off for today!



Back in the blogging lane

I started writing my blog about a year after we arrived in London. I started writing it for a number of reasons. It was mainly to do with catharsis. Little did I realise a new world would open up in front of me.Brighton.jpgThis week I met up with someone who follows my blog from South Africa. Sitting in a hipster little coffee shop in central London, and chatting to Jacqui from Africadayz  about why I started my blog, and hearing how it had inspired her to start hers, I realised how pivotal my blog had been to my whole London experience. It kept me sane, it kept me focused, it kept me hopeful and it kept me connected at a time when things could so easily have been so different.

I was job hunting at the time. The process was soul-destroying. It took so much of my time, with little if any return, and it was challenging to feel upbeat about making that the focus of my every day. With encouragement from friends across the world, I investigated starting a blog. I thought it would balance the tedium of seeking employment in the Big Smoke. And I hoped it would be fun.

I had no idea – and I still don’t – where it would lead. I just knew, on a gut level, that I needed to write.

I chose to call my blog ‘Sunshine in London’ for reasons you can read here. I remember the trepidation with which I pressed ‘publish’ for the first time ever. It was August 2010, and I was nervous as all heck to put my writing out in the public domain. It was the first of what became daily posts about my London adventure. I write about life in London, about job hunting, about being an outsider in the Big Smoke, about our now overflowing red box, and about everything that makes me laugh.

The process of writing a blog has been almost life-changing for me. I find I look at the world slightly differently, I’m constantly fine-tuning my observation skills and, while reading the outstanding, often exquisite, work of a community of writers I’ve grown to know and love, I know I’m learning from the best. Every day  brings the opportunity to read great work, and to sharpen my skills.

My now dear friend, Wendy, from Herding Cats in Hammond River, was the first ‘stranger’ to visit my blog and comment on a post I’d written. I remember how excited I felt that someone – who lived in Canada – had paid my blog a visit, and had liked what I’d written enough to comment. She and I would visit each other’s blogs every day and I loved discovering with her how much we had in common. I’ve not met Wendy in person yet, but I know that one day we will. We’re already friends.

Through meeting Wendy, I found other equally fabulous bloggers and connected with them. As my blog world grew, organically, I soon found myself part of a community of like-minded people from across the globe. I loved it. It gave meaning to my days, I read excellent and honest writing, and I laughed and cried with an outstanding bunch of human beings.

I’ve loved the sense of belonging I’ve felt. In many ways I’ve felt validated in my writing, and in my perspective on life. I had no idea writing a blog would do that for me.

One snowy day in December 2010, I went out for the morning and spotted someone cutting her finger nails, at my local bus stop. It got me thinking of all the strange and weird sights I’d seen on public transport. When I got home I wrote a characteristically light-hearted post about what I called ‘public displays of toiletry’ (PDTs). This throwaway post – Please don’t do THAT in Public – got Freshly Pressed and attracted the attention of about 5,500 readers and hundreds of commenters over the next few days. I was flabberghasted. I was also thrilled and slightly unnerved by this unexpected attention.

I’ve also discovered just how discoverable your online writing can be. As lovers of live music, Mr Sunshine and I go to many concerts and I write about them. One post reviewing a Van Morrison gig not only got picked up by a Van Morrison fanzine, but the chap I’d sat next to read it too! Equally, a blog about a Paolo Nutini concert got picked up by one of his fanzines too.

I found more new friends and blog followers after that. I have since met – in real life – two other fellow bloggers from North America: Renee from Life in the Boomer Lane  and Caitlin from Broadside. It was amazing to meet them and, as I did with my new friend last week, discover that friendship in cyberspace can easily translate into real life. I have a few other blog buddies I’ve connected with on social media too.

One of the most moving blog moments for me involved a post about language, and about sounding forrin here in London. In the post – So this is where I learnt to speak funny – I mentioned my Zimbabwean high school teachers, one of whom (Mr K) I reminisced about with affection. Through schoolfriends in Australia and Canada, I got in touch with Mr K’s wife in Cape Town, who read the post to an ailing-and-in-hospital Mr K. She told me it made him laugh. It was only a short while later that he passed away.

I did find a job after my seemingly endless hunt. That was five years ago. My blog took a back seat for a good part of those years, and I’m just starting to get myself back in the blog writing lane. My book is ever brewing in my belly, I have a constant desire to get better at writing, and I value the nurturing connection my blog writing has given me to a world of talented and remarkable people. What better motivation could there be?

Sunshine signing off for today!






Salad days in the Cotswolds

In the late spring last year, I had to travel to the Cotswolds  for work. I had to spend most of a Friday in a picturesque little village in Gloucestershire. It’s tough, I know, but someone had to do it.

I travelled by train from central London. A 90-minute journey took me to a village called Moreton-in-Marsh, where I met my colleague.DSC_0590_1Together we travelled into a village called Stanton, where our work awaited us.

When we’d finished our filming, we wandered around the beautiful village and marvelled at the homes and village life. I imagined a future that involved a home in the Cotswolds, and spent some time wondering how Mr Sunshine and I could make that happen.




DSC_0582_1My colleague took me back to Moreton-in-Marsh where I was to catch the train back to London. I walked around the village, and stopped for a meal before the return journey. I chose a sweet and cosy little ‘tea shop’ on the village high street. When I entered and asked for a table for one, I was shown, with some empathy, to a little table next to the window.

I read the menu, and couldn’t find anything I really wanted. So I asked the waiter if they could make me a ‘special salad’.

“A special salad?”

I said something really simple would be perfect.

“A mixture of what you have would be great.”

“A special salad? What do you mean?”

When I explained some lettuce, tomato, potato salad and the like would be fabulous, she said, “I’d better ask my manager.”

She scuttled, frowning, towards the kitchen.

A few minutes later, the manager came over to my table and said, “I understand you want a special salad?”

Again, I explained what I was looking for.

He looked at me sideways and then excused himself. He disappeared kitchenwards.

A few minutes later, a third person approached my table and asked me about said special salad.

“What is it you want? Lettuce? Tomato? Cucumber? Potato salad? Coleslaw?”

When I responded in the affirmative to whatever she could offer me, she offered to see what she could do for me. She returned 10 minutes later with a plateful of deliciousness, and encouraged me to enjoy it. She looked like she felt sorry for me.

When I’d finished the multi-coloured selection of freshness, I called for my bill.

The manager brought the bill to me with an apology.

“I’m really sorry, I had to put it through as a quiche. I didn’t know what else to do.”

I was so amused I’d caused a storm in a tea shop. And then it got me thinking – maybe that’s how we could fund a life in the Cotswolds: open a tea shop specialising in special salads. Especially for the fussy townies.

Sunshine signing off for today!